Porky Chedwick

In the summer of 1948, Porky Chedwick began playing "race records" on Homestead's WHOD to become one the first DJ's to present racially diverse music in a major American city. Playing old R&B and gospel records that he had collected Porky blazed the trail 4 years before Alan Freed coined the term "rock and roll".

The Drifters

In the early 1950s black music record labels heard about Chedwick's R&B playlist and sent him recordings from their new artists. He introduced these new artists as his "movers and grovers". Chedwick is given credit by numerous R&B and rock and roll legends for breaking their records including Bo Diddley, Smokey Robinson, Little Anthony, The Drifters, The Moonglows, Laverne Baker, the Midnighters and many others. He also introduced the music of Pittburgh artists the Marcels, the Skyliners, the Del-Vikings, Lou Christie and the Smoothtones.

Porky stayed true to the original artists who wrote the classic songs. He refused to play rip off covers of classics by white artists such as Pat Boone's cover of Llittle Richard's "Tutti Frutti" or Elvis's cover of "Hound Dog" by Willie Mae 'Big Mama' Thornton or the Jerry Lee Lewis version of Big Maybelle's 'Whole Lot of Shakin' Goin' On.'

Porky’s format of playing old records, that he called "dusty discs" was copied by disc jockeys across the country. Porky is recognized as a founder of the "Oldies but goodies" radio format.

Porky was also known for his raps such as: "I'm Pork the Tork and I'll fry your brain. I've got more lines than Bell telephone. I've got more jams than Smuckers. I've got more moves than Allied Vans.''

“Any entertainer of my era who say they don’t know who Porky Chedwick is - they’re damn lyin’! That’s the cat that played the records. I know.” - Bo Diddley

George Jacob Chedwick, the son of a Lithuanian-born steel worker, was born on February 4, 1918 in Homestead, Pennsylvania. His mother nicknamed him "Porky". He became a familiar voice in Homestead in his role as the public address announcer for his alma mater Munhall High School. He also worked as a sports stringer for the Homestead Daily Messenger newspaper. Seeing a newspaper want ad seeking on-air talent he applied for a job at a brand new 250 watt Homestead AM radio station.

Porky at WHOD

With his experience in sports writing and his local popularity as a play-by-play announcer Porky was hired for a 10 minute Saturday sports commentary show. He began his radio career at WHOD in Homestead when station launched on August 1, 1948. Starting from his 10 minute spot he became a pioneering radio DJ who helped launch Doo Wop, R&B, and Rock N Roll.

On weekends Porky worked as an engineer mounting records for WHOD's ethnic music shows. A few days after his first show, Porky's program was expanded to a full half hour and the sports segment was dropped. Porky's weekly half hour show was called “Porky Chedwick’s Masterful Rhythm, Blues and Jazz Show".

Doctor of Porkology 1955

With little money to buy new records Porky used songs from his own collection of 78s and asked record stores to give him old 78s by black artists that they did not want to display. No one was playing music by black artists in western Pennsylvania. Station management was amazed when the phones lite up with callers requesting more of Porky’s selections. As his popularity grew Porky drew more sponsors. His show was expanded to five hours seven days a week. He eventually took over the noon-to-five weekday slot with "The Porky Chedwick Show".

[ LISTEN ] (42:47) Cruisin' was an American Rock-and-Roll sampler series covering the years 1955-1970 released by Increase Records.

WHOD was sold and changed its call letters to WAMO in 1956. Esquire Magazine named Porky "Pittsburgh’s Favorite DJ" in 1956. In 1958 Porky Chedwick was given the 4 p.m. until sign-off spot to appeal to teen listeners. WAMO built two large transmission towers in the early 1960s to boost its signal from 250 to 1000 watts allowing the station to be heard in Ohio and W. Virginia.

During the 1960s Porky hosted concerts at Homestead's Leona Theatre and DJ'd dances at the Savoy Ballroom in the Hill, the Linden Groove, and at other venues. Since the late 1940s Porky hosted over 7,000 sock hops and dances.

"The Porky Chedwick Groove Spectacular" was held on May 11, 1962, at the brand new Pittsburgh Civic Arena. More than 13,000 turned out to see headliner Jackie Wilson and 21 other acts in the day long show including Bo Diddley, The Flamingos, The Marvellettes, The Five Satins, Jerry Butler, Ketty Lester, Johnny Jack, The Skyliners, Patti LaBelle and the BlueBelles, The Castells, Bobby Vinton.

To promote the movie “Birdman of Alctraz” the Stanley invited popular radio DJ Porky Chedwick to do a live broadcast outside under the marquee of the Stanley on a summer day in 1961. Within an hour from the start of the broadcast 10,000 people were tightly crowded in front of the Stanley on Seventh and Penn Avenues. More and more people were streaming into town to see Porky. The parkway and downtown streets turned into a parking lot with bumper to bumper traffic. Hundreds of kids stuck on North side buses got off to walk.

The bridges from the North side to downtown were clogged with Porky’s fans. Pittsburgh was frozen in “Porky-mania” grid-lock. Pittsburgh Mayor Joe Bar came down from his office on Grant Street to personally ask Porky to stop the broadcast so that the police could unclog the massive traffic jam. The police estimated that they directed 50,000 people away from the Stanley to clear the crowd.

In 1991 Porky was diagnosed with a brain tumor. A benefit concert was held at the Syria Mosque to raise funds for an operation. Wolfman Jack emceed the show and a hall of fame roster of early Doo Wop stars performed including Hank Ballard and the Midnighters, the Moonglows, Lou Christie, Jimmy Beaumont and the Skyliners, the Vogues, the Marcels, the Cleftones, Johnnie and Joe, Bobby Comstock, the Contrails and the Elmonics. The operation removed a benign tumor.

On October 19, 1996 Porky Chedwick was honored at a tribute ceremony at the Rock and Roll Hall of Fame for his contributions as an influential radio DJ. The ceremony was broadcast live back to Pittsburgh over 3WS-FM. Porky is featured in the "Dedicated to the One I Love" exhibit that honors radio DJs. The Rock Hall of Fame honored him again in a 1998 luncheon for 25 rock 'n' roll radio pioneers that also included Dick Clark, Cousin Brucie, and Casey Kasem. The state of Pennsylvania proclaimed the week of September 23 through 30, 2006 as "Porky Chedwick Week". He was honored with a two day "Porkstock Festival" at Three Rivers Stadium in 1998.

Daddio of the Raddio

The two day Porkstock Festival headlined by Little Richard and Bo Diddley was held at Three Rivers Stadium on August 15th and 16th 1998 to celebrate Porky's 50th anniversary in radio. The concert also featured other artists that Porky broke including Johnnie & Joe, The Skyliners, The Marcels, the Four Townsmen, the El Capris, Richie Merrit, Pure Gold, The Holidays, Johnny Angel and the Halos, and The Vogues. A second Porkstock was held on September 11, 1999. at Three Rivers. Headlinedr by the Four Tops it also featured Lou Christie, Gene Chandler, Eddie Holman, the Jaggerz, the Chantels and Pure Gold.

Porky was on the air at WAMO for 24 years until 1972 when he moved to KQV for a weekend show. He returned to WAMO staying there until 1984. He was on the air at WNRZ from 1985 to 1986. Porky returned to WAMO in 1996 after a 10 year retirement. Porky worked on WWSW in 1998 and moved to WLSW in 2000. At the age of 88 in 2006 he appeared on WFKB. After retiring to Sarasota Florida area in 2008, Porky returned to Pittsburgh in 2011. He launched another show on Sept. 2, 2011 airing from 11 a.m. to noon on Fridays on WEDO.

Some materials found on this page were originally published by the following: The Brookline Connection

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Terry Lee

During the 1960s and 1970s Terry Lee was a tireless hard driving Pittsburgh music impresario. Along with Clark Race and Porky Chedwick, Terry Lee was one of Pittsburgh’s most popular radio DJs noted for his “TL” sound and “Music for Young Lovers” a mix of Northern Soul, Rhythm & Blues, and 50's & 60's rock . On the air at WMCK, WIXZ, and several other stations he was a hit maker who gave first airplay to many national and local artists. An entrepreneur, he promoted popular teen dances that drew thousands of teenagers to several venues throughout the Pittsburgh area and he owned the Nite Train dance club.

Terry Lee booked national and local acts for his dances, took them on whirlwind weekend tours of Pittsburgh area dance venues, and promoted concerts at Three Rivers Stadium and the Civic Arena. He was also a frequent concert emcee at the Syria Mosque and Civic Area from 1970 through 1974.

Terry also produced and engineered the classic garage band recordings of the Swamp Rats, the Fantastic Dee Jays, and the Arondies that he released on his own record labels Sherry and Stone. He also managed those bands along with the Racket Squad, Chrome Flower, Lucy Blue, the Chains, Six Av Us, and many others.

As a DJ, TV host, record producer, label owner, band manager, night club owner, and dance promoter Terry was one of the leaders of the Pittsburgh music business. Leaving Pittsburgh in the late 1980’s he helped found the KOOL Radio network which aired his live syndicated radio show “Music for Young Lovers” on 52 stations across the United States. Terry went on to own radio stations in Florida and Ohio before he returned to his many loyal fans in Pittsburgh in 2010.

The Human Beinz - Nobody But Me

Terry has received credit for breaking the singles "Nobody But Me" by the Human Beinz, "Dry Your Eyes" by Brenda and the Tabulations, "High on a Hill" by Scott English, "Because of You" by Rome & Paris, "You" by The Initials, "69" by The Arondies, "Love on a Two-Way Street" by The Moments, and "Mr Starlight" by Johnny Barfield, along with all of the Swamp Rats and Fantastic DeeJays records. Terry Lee was also one of the Pittsburgh’s DJs who took an obscure song from an unknown band and turned it into the number 1 nationwide hit "Hanky Panky" recorded by Tommy James & the Shondells. Terry says he played an acetate copy of the song on his radio show and at his dances months before it was aired by the other Pittsburgh Top 40 stations. Those are just of few of the many songs that he introduced in Pittsburgh.

Terry Lee was born in 1943 as Terry Lee Trunzo in the Mon Valley town o New Eagle, Pennsylvania. He was the son of Albert D. Trunzo Sr. and Pauline Carlson Trunzo. He graduated from Monongahela High School in 1960. His early goal was to be a musician. He was a self taught garage band guitarist who knew enough chords to make his way through popular tunes. With his friends Terry formed a rock n roll band that they called the ‘Rats. They made their first appearance at DJ Dee Galiffa’s popular dance at the Italian Citizens Club in Monongahela. Terry Trunzo later played in two other bands the “Titans" and "The Cadillacs."

As a Rats guitarist.

By chance Terry Lee became a DJ and radio broadcaster. Terry Trunzo and his band where performing at a dance at the Finleyville Community Center. The disc jockey who was to play records between the band’s sets was a no-show. Terry’s friends ran out and brought in a turn table and records. Terry plugged the turn table into his guitar amp, took the mike, and spun records that night. Enjoying the DJ role immensely he rented the community center the following week to host a dance as the disc jockey. He was soon spinning records at high school dances and promoting his own events. To promote his dances he struck a deal with the Associated Theaters movie chain. In return for supplying the theaters with music mix tapes Terry promoted his dances at movie concession stands.

Stan Wall of radio station WESA in Charleroi made tapes of Terry’s dances and aired the music on his station. Stan brought Terry into the station to show him how to use the studio equipment to edit tapes and package them into smooth presentations. At age 16 Terry went on the airwaves for the first time at on WESA with Stan Wall standing behind showing him what buttons to push. Terry found a career at WESA working there as a DJ from 1959 to 1963.

As a dance hall DJ.

At his mother’s suggestion he used his first and middle names as his radio name Terry Lee.

With his radio show the popularity of Terry Lee’s dances grew. Redd’s Beach in Fallowfield became one of Terry’s Lee’s most successful venues. Outdoor summer beach party dances were held on Monday nights for nine years. Terry played his “Magic TL sounds” and presented live national and local acts that included the the Temptations, Mystics, Undertakers, Chains, Electrons, St. James Place, Ithacas, Fenways, Fantastic DJ's and more. He also did many live broadcasts from Redd’s Beach.

Terry moved from WESA to stint at Carnegie’s WZUM as Tim Lee in 1963 followed by work at the 250 Watt WARO in Canonsburg from 1963 to 1964. At WARO he did some crazy promotions doing live broadcasts from a Bridgeville carnival Ferris wheel, the roofs of drive-in theater concession stands, and from a row boat in the middle of the Canonsburg Reservoir, The WARO station owners Tommy and Mary Lou Sutton gave him a lot of freedom. Besides playing music on air Terry also sold advertising time for his radio show. On the radio and at his teen dance Terry played a broad range of music. He liked songs with tight harmonies and rock beats that got people up and dancing. Terry used his radio show to promote his dances and drew thousands of teenagers to Mon Valley area venues and Redd’s Beach. He hosted dances at Redd’s Beach on Saturday and Monday nights in the summer of 1963. Jason Togyer of The Tube City Almanac said that Terry became “the de facto leader of the Mon Valley's teen scene.”

WMCK

At age 21 in May of 1964, Terry was recruited by Pete Stanton to join the 5,000 watt McKeesport station WMCK (1360-AM). At WMCK/WIXZ Terry Lee became one of Pittsburgh’s top radio DJs from the mid ‘60s through the mid '70s. In 1964 WMCK was a small AM station located in the Elks Temple on Market Street in downtown McKeesport. Broadcasting during daylight hours its programming consisted of high school sports and ethnic music. Terry livened up the WMCK airwaves playing rock and roll six nights a week and four hours on Sunday. His show ran from 6:30 p.m. to midnight. Teenagers across the Mon Valley tuned into Terry’s show after Porky Chedwick signed off his WAMO show. They wanted to hear more Rock and Roll. Terry picked the songs for his show and often played ‘B’ sides. His unique playlist became known as the “TL Sound”. In one segment of each show, that Terry dubbed “Music for Young Lovers” he played romantic ballads such the Scott English tune “High on a Hill”. He closed out his show every night with “Goodnight, My Love"

Terry took national and local acts on a mad dash gauntlet tour of Pittsburgh area record hops every weekend. He booked acts for four straight nights: Friday, Saturday and Sunday along with Monday night’s at Redd's Beach. The bands appeared before thousands of fans in short sets at three dances on each night. Traveling in a caravan the acts made stops at the Red Rooster, Blue Fox, White Elephant, Lebanon Lodge, Burke Glenn Ballroom, Varsity House and fire halls and social clubs across the Pittsburgh area. With Terry Lee's exposure to a larger audience on WMCK he drew teens from all over Western Pa to Monday nights at Redd’s Beach.

Kicking off the 1964 summer season on June 1 at Redd’s Beach Terry Lee brought in the Cadillacs the originators of the hits songs "Gloria" and “Speedo”. Terry Lee continued live broadcasts of his Redd’s Beach parties on WMCK. Terry was so busy with his weekend record hop schedule that he had to tape his Friday and Saturday radio shows for airplay in the evening. He recorded the Friday night show between midnight and 6 a.m. on Thursday and the Saturday night show on Friday at midnight.

Around 1965 Terry Lee made after hours use of the WMCK studio to produce and engineer garage band records. He became a band manager and a record producer with his own record labels: Sherry and Stone. Terry Lee specialized in lo-fi 2 track recordings that featured heavy fuzz guitar and echo vocals. He produced and promoted a series of singles and albums by the Fantastic Dee Jays, the Swamp Rats, the Arondies and other bands that are respected favorites of vintage 1960s garage band music collectors around the world. These bands were popular in the Pittsburgh market during the 1960s with airplay of their singles on Pittsburgh radio stations and their live performances at Terry Lee’s many dances.

At WIXZ (top) and WMCK

Record collectors in the late 1970s digging for 60s garage rock gems unearthed the Swamp Rats and the Fantastic Dee Jays records sparking international interest in their music. A compilation album of the Swamp Rats recordings entitled "Disco Sucks" was released in 1979 by Keystone Records. Several of the Fantastic Dee Jay singles were reissued by Get Hip Records in 1995 and the “Fantastic Dee Jays” album was reissued by Millennia Records in 1996. A second Swamp Rats compilation album titled “Disco Still Sucks!” was released in 2003 by Get Hip Records.

In 1964 a group of McKeesport teenagers, vocalist/guitarist Dick Newton, drummer Tom Juneckom, and guitarist/vocalist Denny Nicholson formed a band called the ‘Larks” Terry Lee hired the Larks to perform at his dances in early 1965 and soon became their manager/producer. Terry renamed the band the Dee Jays. Terry Lee announced on his radio show "You've got to see the Dee Jays. They are fantastic!" The description stuck and they became the “Fantastic Dee Jays”. Only 16 years old they were on their way to Pittsburgh stardom. Terry recorded the Dee Jays after midnight at the WMCK studios. They released their debut single with their original song “This Love of Ours” and a cover of “Apache” on Terry Lee’s own Sherry label in March 1965. They recorded a cover of the John Fogerty song “Fight Fire” and recorded several original songs written by Denny Nicholson and Dick Newton. Vocalist / drummer Bob Hocko joined the band and sang lead vocals on the song “Get Away Girl” that he co-wrote with Nicholson and Newton.

Terry Lee financed and produced the band’s self-titled album the “Fantastic Dee Jays” that was released in 1966 on Terry Lee’s Stone label. The album sold well in the Pittsburgh area but was not distributed nationally. It featured original Brit Pop style songs written by Dick Newton and Denny Nicholson: "Get Away Girl", "Love Is Tuff", “Two Tymes Too”, “Mr. Sad” and “Shy Girl”. After the opening for the Rolling Stones at West View Park's Danceland in 1966 the band disbanded leaving behind five fantastic 45s and one album. Dick Nicholson was drafted into the military and Tom Junecko enrolled in college.

Terry's TL Sound For Young Lovers LPs (from top) 1965, 1966, and 1969.

At the same time that Terry was managing and producing the Fantastic Dee Jays he also became the manager of the Arondies in 1965. Guitarist Jim Pavlack, drummer Bill Scully, and bassist Gary Pittman formed The Arondies in Clairton, Pa. and began playing gigs in late 1963. They worked the local circuit playing Clairton’s Juliot Hotel, the Sigma Nu fraternity at Carnegie Tech, and they packed the Clairton VFW during football season. They also played at Terry Lee’s record hops. Terry plugged them on his radio WMCK show and brought them into his station for live performances in 1965. The Arondies began recording demos of their original songs in November of 1964 and Terry Lee taped their WMCK appearances. The Arondies released their debut single with two original songs "69" and "All My Love" on Terry Lee’s Sherry label. Terry broke ‘69’ on his radio show and other top 40 Pittsburgh stations played it heavily.

During the summer of 1965 “69” was a smash hit in Pittsburgh that sold as quickly as it came off the presses. It sold over 1,200 copies in its first two days and sold over 10,000 copies a month. As demand increased later pressings were made on Astra, another small Pittsburgh label. The Arondies released the follow up single “One Dead Chicken" on Astra. In less than a year they broke off their management agreement with Terry Lee over a royalty dispute, The band broke up in 1967 with some of the members forming the band Soul Congress with Billy Sha-Rae that scored a national R&B hit with the song “Do It”. The Arondies left behind thirteen garage rock tracks that were released by Get Hip Records in 1999. Bruce Eder of Allmusic.com wrote: "69" is regarded as a garage rock instrumental classic.”

After the Fantastic Dee Jays broke up Terry Lee organized a new harder edged band in 1966, The Swamp Rats, with a revolving cast of 12 musicians that included several former members of the Dee Jays. Terry produced and released the Swamp Rat singles on the small St. Clair label in 1966 and 1967. The early punk / garage music of the Swamp Rats was ahead of its time, linking mid-'60s garage rock with late-'60s crazy pre-metal MC5/Stooges rock. They were forerunners of the Ramones and MC5. Terry Lee recorded their debut single "Louie Louie"/"Hey Joe" with Dave Canon on lead vocals. Critic Jason calls the single one of the “essential garage 45s". The Swamp Rats second single was a cover of the Sonics “Psycho” that critics regard “as the Swamp Rats best song. Their next 45 was a fuzz cover of the Sparkles “No Friend of Mine” and the Stones “It’s Not Easy”.

When Terry Lee took over hosting the “Come Alive” TV show in 1967 Nick Cenci took over management of the Swamp Rats. They broke up in 1967 after the release of their last single “In the Midnight Hour”. Record collectors in the late 1970s digging for 60s garage rock gems unearthed the Swamp Rats and the Fantastic Dee Jays records sparking international interest in their music. A compilation album of the Swamp Rats recordings entitled "Disco Sucks" was released in 1979 by Keystone Records. Several of the Fantastic Dee Jay singles were reissued by Get Hip Records in 1995. In 1996 the “Fantastic Dee Jays” album was reissued by Millennia Records. A second Swamp Rats compilation album titled “Disco Still Sucks!” was released in 2003 by Get Hip Records.

In Billboard magazine 1968.

Around 1968 Terry Lee managed the psychedelic rock band the Racket Squad. The band was led by vocalist Sonny DiNunzi who had been a member of the Fenways. The Fenways song “Walk” released on Nick Cenci’s CO&CE label became a local hit in 1965 with the help of DiNunzio's cousin Terry Lee who broke it on WMCK. “Walk” reached the top of the charts on WMCK, KDKA, and KQV and reached the top 50 on the national charts. The Fenways were regulars on the Channel 11 Come Alive TV dance show when it was hosted by Chuck Brinkman and they opened for the Rolling Stones and the Dave Clark Five at the Civic Arena. DiNuzio re-launched the Fenways in 1968 as the hard rocking Racket Squad. The Racket Squad signed with Jubilee Records releasing several singles and two albums: “The Racket Squad” (1968) and “The Corners of Your Mind” (1969). The Racket Squad had a local hit single with "Hung Up" in 1967. Their best song was a remake the Skyliners’ song "The Loser" The Racket Squad broke up in 1970. Drummer Joey Covington became the drummer for the Hot Tuna and the Jefferson Airplane. Sonny formed the lounge band Sebastian that Terry Lee managed and recorded. Sonny died in a car crash in 1978. Terry Lee released the compilation album “Sonny” in 1978 to honor his cousin’s music.

Another collectable song that Terry Lee produced was the Stone Record’s single “Starry Eyed Woman / Gotta Keep Movin” by Chrome Flower in 1969. Bob Hocko a Dee Jays / Swamp Rate member formed a hard rock band Galactus with John Puckett on guitar, Jim Wilson on Bass and T.R. Zebrovious on drums. Terry produced and released their album in 1976. Bill Wiemer and Terry Lee arranged the single I’ve Got Enough Heartache / People released by the band Six Av Us.

Not busy enough with his 7 day a week radio shows and his gauntlet of weekend dances, and his band recording sessions, Terry Lee took on another business challenge. In 1966 he converted an old bowling alley into a hot Mon Valley night club that he christened “Nite Train”. Located in the West Elizabeth area on Glassport-Elizabeth Road Nite Train held 1,500 people and had two stages. The DJ and band performed on the main stage and the TL Go Go dancers performed their show from a second stage. Nite Train opened in June of 1966 with an appearance by the popular Pittsburgh act the Fenways. Terry booked national and local acts at Nite Train including the Turtles, Little Anthony and the Imperials, the Del Vikings, the Fabulous Rivieras, Jimmy Beaumont, the Chains, the Tornados, Tommy Mclain, the Agents. and Marcy Jo. To fit the club into his schedule Terry did live broadcasts of his radio show from Nite Train.

Come Alive 1967-70.

Terry's night time radio shows were top ranked in the Arbitron Ratings. His popularity in the ratings in 1967 was the primary reason he was hired by WIIC-TV Channel 11 to replace Chuck Brinkman as the host of the live Come Alive dance show. Terry hosted his first Come Alive show on September 7, 1967. The show opened with Terry Lee pulling up in a Cadillac limousine.

Two Go Go Girls opened the limo door and out stepped Terry in a three piece suit carrying an ominous looking violin case. He turned to the camera and announced "I'm Terry Lee and I'm taking over 'Come Alive'. Each week Terry presented national and local acts that performed their hit songs for the live teen dancers. The show also featured the “Come Alive Review” dancers. Terry took the dancers on the road presenting "Come Alive Revue" at Redd's Beach splash parties. Terry hosted The Come Alive Show on WIIC until 1970.

Terry’s next foray into television was at WPGH in 1976 where he produced the “Terry Lee Show”. The show ran for two years on WPGH and was picked up by KDKA where it ran until 1980. Top acts who appeared on Come Alive and the Terry Lee Show included the Rolling Stones, David Bowie, The Monkees, Temptations, Human Beinz, Easybeats, Herman's Hermits, Boz Scaggs, Kool and the Gang, Grateful Dead, Turtles, Crosby, Stills & Nash, American Breed, the Association, Canned Heat, Spiral Staircase, Archie Bell & the Drells, Four Tops, Strawberry Alarm Clock, Edwin Starr, and many more.

The owners of WMCK offered to sell the station to Terry Lee in 1969. But he was busy having fun running his Nite Train club and thought that he would have the opportunity to buy WMCK later. WWMCK was sold in 1969 to the Westchester Corporation, a group of Top 40 radio veterans who already owned station WIXY-1260 in Cleveland. Westchester changed the format to Top 40 Rock, changed the call letters to XIXZ and fired all of the on air staff except for Terry Lee.

The station moved from the old Elks Hall to an office building at the corner of Long Run Road and Walnut Street in McKeesport. WIZX did well in the Pittsburgh Market taking the number one rating spot in the teen audience. In 1969 and 1970 Terry’s show was number 1 in its time slot beating out stations with much strong signals. He was at the peak of his Pittsburgh radio career as one of Pittsburgh’s top jocks.

But working around the clock seven days a week on his WIXZ radio shows, doing record hops, running his night club, and producing bands took its toll. His weight dropped and he collapsed one night in the WIXZ studios. Terry Lee’s doctor said that he had to slow down to keep from burning out and to take care of his health. Terry Left WIXZ in 1971 at the top of his game.

Terry Lee airchecks are almost impossible to find. But here's a nugget dug up from 1971. [ ] (1:31) (CURRENTLY OFFLINE)

He returned to WIXZ in 1973 when he was asked by Alan Serena to do a Sunday evening show from 6 to 12. It ran until 1974. Station WKTQ (13Q) with its fast paced Top 40 Rock format and more powerful signal overtook WIXZ in the ratings in 1973. After losing the teen market WIXZ went after the adult demographic and switched to a beautiful music format in March of 1974.

In the mid 1970’s and 1980’s the popularity of AM Top 40 radio declined with the rise album oriented FM rock stations. AM stations converted to the talk formats. Terry Lee continued to work in the Pittsburgh radio market at several stations from the mid 1970s through the early 1980s. He was heard on WZUM-1590 in Carnegie, WESA in Charleroi, WLSW in Scottdale, and WRUA-1510 in Monroeville. After leaving WRUA Lee opened a record store in Charleroi and promoted concerts. He also was the DJ at hotel dances playing tunes from the 1950s and 1960s.

Terry moved to Phoenix in 1988 to help launch the KOOL Gold syndicated radio format. He began by setting up the oldies library at KOOL Gold’s flagship station KOOL-AM in Phoenix, Arizona. Terry helped to create the KOOL Gold Timeless Classics music format. He produced the show “Music for Young Lovers” that KOOL GOLD syndicated on 52 stations across the United States. Terry Lee was heard live on stations in San Diego, Seattle, St. Louis, Wilmington, Charleston, Naples, Fresno, Monterrey, Buffalo, Grand Rapids, and many other cities. It ran for two years. To take care of his ailing father Terry Lee moved to Florida in 1990. There he bought radio station WMIB-AM in Marco Island, Florida. In 1990 Terry sold WMIB. He moved in 1992 to Mansfield, Ohio where he purchased station WAPQ-FM. Deciding to retire he sold WAPQ in 1998.

In February of 2008 Terry returned to Pittsburgh to host a dance party at the Palisades in McKeesport. He was given a standing ovation by 600 fans as he walked into the room. That appearance lead to a regular program on Pittsburgh station WLSW(103.9) that ran on Saturdays from 10 P.M. to Midnight. It was his first time on radio in years. In July of 2010 Terry Lee moved his show to WJAS 1320 AM on Sunday nights from 8 PM to Midnight. Terry Lee now broadcasted his “Music For Young Lovers show” 24 hours a day via the internet at tlsound.com reaching over 20,000 household each month. He hosted dances on the record hop circuit again stopping at McKeesport's Palisades, Castle Shannon's Linden Grove, the Stockdale Fire Hall, Monessen Elks and Troy Hill's Most Holy Name Society. He also had issued several CD compilation albums of the music that he played on his shows using his original show tapes from WMCK and WIXZ. The eight CDs include Lee 's shows at WMCK from 1964-1966 and 1967-1969, his WIXZ shows from 1969-1974, and his syndicated programs from Across America and the KOOL Gold Network.

After retiring from broadcasting in the '90s, he enjoyed working on his farm in Ohio. He loved growing things and raising cows and goats. Not many people knew that side of him.

Tery Lee lost his battle with lung cancer at age 70 on July 30, 2013 at his home in Bellville, Ohio.

Some materials found on this page were originally published by the following: Pittsburgh Music History, magictlsound.

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Clark Race

Born in Hudson, N.Y., Clark Race was the youngest of eight children. As a kid he played trumpet, accordion and trombone. In his teens he led his high school band and made demo tapes of his original songs. Growing up in a fundamentalist church he loved gospel music. Clark began in radio as a baseball broadcaster in Albany. Asked by his station manager to play music, Clark shopped at a record store buying singles that he liked and put them on the air. His listeners liked his selections and he became a popular DJ.

Growing up in the 1960’s young Pittsburghers listened everyday on their little plastic transistor radios to hear the latest hit singles on Clark Race’s count down show. At 3 P.M every week day they heard his show kick off with the brassy horns and bouncing bass beat of his signature jazzy “String of Trumpets” theme song. Throughout the mill towns of Western Pennsylvania they heard the sounds of the British Invasion, Motown, American Rock, and vocal groups on the powerful 50,000 watt KDKA-AM radio. After school they rushed to the basement record departments of their main street G.C. Murphy’s or Woolworths to buy 45s from the top ten lists of KDKA and KQV. From 1959 through 1970 DJ Clark Race introduced a generation of Western Pennsylvanians to new pop music acts. Clark’s daily show was heard by over 50% total Pittsburgh radio audience.

He played a smorgasbord of rock, pop, R&B, and standards. On his show one could enjoy the music of the Animals, Little Anthony, Tom Jones, Freddie & the Dreamers, the Searchers, Marvin Gaye, the Kinks, Martha & the Vandellas, Bobby Vinton, the Seekers, and the Beatles. Clark Race was one of the first DJs in the nation introduce black artists to the main steam playing the music of the Supremes, Chubby Checkers, the Dixie Cups, the Temptations, and more.

With a keen ear for spotting hit records and the freedom to choose what he played unrestricted by formats and rotation play lists, Clark Race loved to play new music from many genres every day.

A rare Race aircheck. Not many can be found. Date unknown.

Clark also broke records from new Pittsburgh artists helping them gain national audiences. He willingly listened to demo records by Pittsburgh musicians and gave them airplay if he liked their music. A young Bobby Vinton walked into KDKA and played his “Roses Are Red” record for Clark. Clark said “I like it..I’ll play it. Clark broke the records of Tommy James and the Shondels, Lou Christie, the Vogues, and Bobby Vinton.

Clark is also credited for breaking the Royal Guardsmen's "Snoopy and the Red Baron", "Because Of You" by Rome & Paris, "It Ain't No Big Thing" by the Electrons, "Cross My Heart" by Billy Stewart, "Hung Up" by the Racket Squad and many others. He played the music he believed his listeners would like. He was not under the thumb of consultants or corporate music directors. He was the dominant DJ of Pittsburgh playing great tunes and his audience loved it. Clark Race and KDKA of the sixties was a golden age of music for young radio listeners and golden age of opportunity Pittsburgh pop music artists.

On Saturdays afternoons Pittsburghers tuned into the Clark Race “Dance Party” on KDKA-TV to learn the latest dances like the Twist, the Mashed Potato, the Monkey, the Limbo, the Swim, and the Boogaloo. Clark hosted "Dance Party" from 1963 to 1967. It aired from 1:30 to 3:00 PM. A local version of "American Bandstand” with teenage dancers it featured live appearances of national and local recording artists. Chubby Checkers was a frequent guest leading dances of the Twist and the Limbo. The Supremes, Buddy Holly, The Lovin' Spoonful, The Turtles, the Beach Boys, the Four Tops, the Hollies, Paul Revere and the Raiders, and many other acts appeared on the show. Local musicians on their way to national fame appeared on Clark’s show including Tommy James and the Shondels, Lou Christie, Bobby Vinton, and the Vogues.

In 1959 KQV was challenging KDKA in the ratings with their Top 40 pop singles play list. KDKA brought Clark Race to Pittsburgh to compete. He joined the KDKA staff in 1959 at the age of 26, He began as the all night host, In an interview with the Pittsburgh Post Gazette Clark Race said "I brought my own records in. KD's library consisted of Lawrence Welk records, and I was playing Fats Domino and Little Richard". In March of 1959 moved to the 3 P.M. to 6 P.M. time slot and and took over the Pittsburgh radio market for the next 10 years. Playing a variety of hit pop music and breaking new records every week Clark Race and KDKA became one of the hottest radio stations in the country.

On February 1, 1964 Billboard Magazine reported that KDKA-AM was among the top 3 stations in the United States for share of audience in the market. Billboard reported that a key to KDKA's success was its music. The 87 sheet playlist was selected by a music committee that voted on songs in a secret ballot. Billboard highlighted Clark Race's the key time slot for the exposure of music.

"Foremost among the reasons for this outstanding sucess picture is the station's music policy. KDKA in this area has not only kept up with the times but also tries to keep ahead. Its 87-record sheet reflects most the important pop hits and new releases according to local and national sales. ...Music programming on each show is done by a loose formula of 50 percent current and 25 per cent "other" which includes the wide choice of LPs and past hits. ...Each air personality is responsible for picking the records from the playlist and programs according to his own personal feel.

KMPC STAFF 1975, FRONT: Roger Carroll, Dick Whttinghill, Robert W. Morgan. SECOND: Geoff Edwards, Clark Race, Pete Smith, Wink Martindale, Sonny Melendrez, Gary Owens. BACK: Bill Watson (Asst. PD) Stan Spero (VP/GM) Mark Blinoff (Program Director).

Race left KDKA in 1970, around the time the FM radio was emerging, to work the overnight shift at KMPC in Los Angeles. While working in LA he also hosted the Chuck Barris produced TV game show, "The Parent Game." in 1972. He left LA in 1978 to join station KYUU San Francisco. In 1980 he worked mornings for the contemporary Christian music station KBRT on Catalina Island. He worked at KYXY in San Diego from 1981 to 1986.

Disillusioned with formatted rotation Top 40 radio that was controlled by program directors, Clark left the radio business. He was allowed to play want he wanted when he first went to the West Coast. He could play new songs from a variety of styles to create hits and he could play fun novelty songs to entertain his audiences. But as time moved on management strictly prescribed what he had to play and when.

Clark and his wife returned to Pittsburgh in 1986 to open a bed and breakfast in Sewickley. In 1993 the couple bought Gabriel's Bed and Breakfast in New Wilmington in Lawrence County's Amish country. On his return to Pittsburgh, some stations wanted Clark to host an oldies show, playing the songs from the sixties that he used to play. Clark turned them down. He did not want to play oldies. They did not understand what he stood for. Clark Race discovered new artists and new songs. He always looked for something new. He was a true music fan.

Clark died of an apparent heart attack on July 27, 1999 while being treated for throat cancer. He was 66.

WHERE DID CLARK WORK? Here is the list: KDKA, KMPC, KYUU, KBRT, and KYXY.

Some materials found on this page were originally published by the following: Pittsburgh Music History, Pittsburgh Rock Legends.

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Weird Beard

Weird Beard Night jock from November 21, 1966 through September 30, 1971. Weird Beard left WAKY for a PD gig at LIN Broadcasting's station in Rochester, New York where he spent two or three years before taking a position with the Rochester Police Department.

Weird was named after his father, Carl Markert (but not a junior) who was a member of the Louisville Orchestra. During the late '60s, Weird would often bring his father's old bugle to the station and play sour notes over the air.

Here's a KQV Macleans Demo in 1966. [ LISTEN ] (7:02) The Beard is at KQV on August 20, 1966. [ LISTEN ] (28:56) KQV on May 20, 1967. [ LISTEN ] (25:41)

He was dubbed 'the dropout from bugle school,' and would play the thing over the air in the worst way. He especially enjoyed playing alongside Herb Alpert's 'This Guy's In Love With You,' which featured a trumpet, bugle or whatever, on the long outro of the song. Hilarious.

From top: On location at a hop, with Janis Joplin, and with buddy Dude Walker.

Another reason many people think he departed Louisville was because of the 1971 tragic drowning death of his young son, Scotty. Mason Lee Dixon recalls: "We spent many anguish-filled hours searching for the boy, sensing all of the time that he had crawled through the hole in the fence at the Water Company across the street from his house. There were all kinds of rumors flying hell, west and crooked since Burt (Weird Beard) and his wife were separated at the time. People can be cruel in their ignorance. Most of the city was sympathetic, even the competition. Only the cops and some really low-vibing characters were suspicious of Burt.

It wasn't until the city finally consented to drain the reservoir that they recovered the body." Burt was diagnosed with Multiple Sclerosis at the age of 19, but didn't let that stand in the way of successful careers in broadcasting and law enforcement. He returned to Louisville and lived with his mother for a while. Eventually he went into a Pewee Valley, Kentucky nursing home where he died November 22, 1995 due to complications brought on by MS.

This Weird Beard may not be your Weird Beard. It turns out that there were many different Weird Beards. Burt Markert has no connection to Bill Vermillion another Rock DJ of the same era who was Weird Beard in Orlando on WLOF-AM. Nor any relation to Russ "Weird Beard" Knight on KBOX, WICC and KLIF Dallas in the 1960s and 1970s. Also unrelated is Windy Craig "The Weird Beard" another mid 60s radio personality. His real name was Fred Winston, of WOLF and WLS-AM. That Weird Beard set a Ferris wheel riding record of 183 hours 2 minutes.

Before WINN, before WAKY, Weird Beard paid some early radio dues at a station in Corydon, Indiana in the mid '60s. Here's an aircheck of Burt Markert playing "good music" at WPDF. [ LISTEN ] (11:32)

Another early Weird Beard from November 25, 1966. Includes commercials of the day and a newscast from Byron Crawford. [ LISTEN ] (17:05)

Some materials found on this page were originally published by the following: 79 WAKY, Jeff Roteman's Radioville.

NOTE: Not much bio information is available for Weird Beard. To date this is all that has been found. The search continues for additional information.

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Tom Murphy

Murphy's "run" as KRLA morning man was only from February thru September 1971, but it was very "high impact" and rumor has it that rival KHJ made their morning-drive competitor Charlie Tuna, listen to Murphy airchecks, as KHJ was worried that Murphy just might whip Tuna in the ratings as 1971 progressed.

As soon as P.D. Shadoe Stevens began finetuning KRLA from Top 40 to Progressive AOR, he switched "high personality" morning-drive Tom Murphy with "low personality" Don Burns, moving Burns to AM drive, and Murphy to the miscast 9-Noon shift in the fall of 1971.

At CFL with Lujack.

Sonny & Cher 1967

Murphy had "too much personality" for a Progressive AOR in morning-drive, so 9-Noon was a way to phase him out.

STONE GROUND

In this miscast shift for Murphy, the "World Famous" part of his airname was dropped, and he tried to jock with the brakes on playing Stone Ground instead of Bobby Sherman.

Within a few weeks, Murphy would be ousted from 9-Noon and demoted to the Midnight-6am shift as a way to get him to quit, which he did in the late fall of 1971, going back to Seattle and KOL.

Here's Tom behind the KISN microphone on September 19, 1962.
[ LISTEN ] (30:00) and here's Tom again this time playing records at KJR Seattle in 1969. [ LISTEN ] (14:00)

Home in the studio.

The Great American Summer. Produced by Jim Hampton [ LISTEN ] (49:53) and is hosted by Tom at WCFL.

Syndicated around the nation on the CBS Radio Network, Jim Hampton (WXYZ, WABX, WJBK, WCAR) recently pulled this special programming from his radio archives and provided this site with 6 hours of the ‘Great American Summer’ shows he produced in the early-1980s. In these programs you will hear great memories, events, and many of the hits by artists whose records were heard playing on the radio during the summer months the year they were released.

1966 KJR All Americans (L to R) Jerry Kaye, Lan Roberts (as Phil Dirt), Dick Curtis, Pat O’Day, Steve Wilson, Charlie Williams, ‘Crazy Legs” Murphy, Ernie Dunston, Tom Larson (with helmet), Denny Rosencrantz, Stevie Bramwell and Todd Hullin.

Jim Hampton and Ken Draper (WCAR, WCFL;Chicago) — Draper & Hampton, Inc., Los Angeles produced this special summer programming for the CBS Network. The opening theme song was sung by, written and produced by Scott Chapin and special programming features written by Scott Paton.

WHERE DID TOM WORK? Here is the list: KISN, KJR, KRLA, WCFL, WIXY, KGIL, KIIS, KPRZ, KFI, KJQI, KGRB, and WRLL.

Some materials found on this page were originally published by the following: Motor City Radio Flashbacks, Puget Sound Media, Radio Disc Jockey

Tom with a Beach Boy; Haircut; With Bobby Vee; And turning on KISN Carol Tree lights with Frank Benny.

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